The Tatar art in 1990-2000-ies the process of deeper exploration and creative development of the various layers of the artistic heritage, popular culture in general. Along with the expansion of the range of thematic and stylistic diversity of secular (easel and monumental), there is a revival of Islamic religious art. The process of establishing a new national paradigm and restore the interrupted traditions of Muslim culture in Tatarstan led to the revival of traditional Islamic art forms and genres, as calligraphy, shamail. In the works of contemporary artists find a place in Tatarstan a variety of Muslim stories and myths by showing that artists are a vivid example of the interpretation of Muslim culture, the artistic heritage of the Tatar people from the standpoint of contemporary aesthetic ideals and norms, which gives the region a special fine art originality and uniqueness.
